These images visualise suspected connections between terrorists involved in the September 11th attacks. The width of the line indicates how strong the suspected link is. People are placed on concentric circles based on the number of links between them and the central person, making it easy to measure the social distance between the central person and any other person.
New Sciences of Protection Conference: Plenary 3 with Tim Luke (Design as Defence) and Benjamin Bratton (Dissimulation and Terrorism)
Tim Luke and Benjamin Bratton discussed the architecture of safe living in both its actual and virtual dimensions. ‘Architecture’ is concerned with both the concrete material structuring of a space, but also with the projection of form, with a particular social-political-technical imaginary. ‘Architects,’ Benjamin Bratton reminded us, are concerned with both actual and possible cities. Discussing the architecture of designs for safe living thus involves a double-referent: to the actual architecture of the design and to the promise of safe living which is always to-come.
New Sciences of Protection Conference: Exhibition on the theme ‘Designing Safe Citizens’ by Cindy Weber.
On 21 September 2001 – ten days after 9/11 – the Ad Council in the United States launched its ‘I am an American’ advertising campaign. The exhibition unsettles the Ad Council’s smooth presentation of post 9/11 American patriotism through interviews with those for whom, very recently, US citizenship has been anything but ‘safe.’ These include the son of undocumented immigrant Elvira Arellano, Greg and Glenda Avery, Hurricane Katrina evacuees who became ‘internally displaced’ refugees, and James Yee, a US army Muslim chaplain wrongly accused of being a terrorist spy. The pieces show how the fantasy of unity, wholeness and security pedalled by the designers of safe citizenship in the US remain just that, fantasies. The exhibition disarticulates and rearticulates what it means to be a US citizen in a post 9/11 context, enactments neatly summed up in Cindy Weber’s provocative reversal the US motto “E Pluribus Unum” (Out of many, One) to read, ‘out of one, Many.’
The original Ad Council release
Greg and Glenda Avery: We are americans
James Yee: I am an American
Thank you to our fabulous Joseph Rigby for this great summary
“Seduction” (1986), a photograph from a series by Ms. Hershman Leeson called “Phantom Limb.”
As part of the ‘New Sciences of Protection’ conference a screening of Lynn Hershman Leeson’s Strange Culture was arranged. Jackie Stacey, RICC, University of Manchester, introduced the film…
Lynn Hershman Leeson has been making visual investigations of the integration of the human body and the machine and of fantasy personae for 50 years now. In particular, Leeson has been fascinated by deception, artifice and the fluid boundary between secure and insecure identities. Long before the current anxieties about security and safety, Leeson explored the technologies of the self that meant that we could adopt other people’s identities or even make up fictional ones and get people to believe in them. One of her early pieces of work involved Leeson developing a persona, Roberta Breitmore. She appeared as a performance, when Leeson took up this identity as a disguise herself, wearing a blonde wig, costume and make-up; Roberta also appeared in photographs. Roberta’s existence was substantiated when she got an apartment, employment, a psychoanalyst, a driver’s license and credit cards. When Roberta put an ad in a San Francisco newspaper for a roommate/companion, it prompted dozens of responses. Roberta agreed to meet each person (mostly men) three times only to avoid too much intimacy, and each of these meetings was recorded in surveillance photographs and tape recordings. More recently in Leeson’s exhibition of her work in the virtual environment Second Life, Roberta has re-appeared, and we hope that Lynn will be joining us here at the Dukes after the film screening through her Second Life avatar, Roberta, to discuss some of the ideas in Strange Culture on the director’s behalf.
Secrecy is a documentary by Peter Galison and Robb moss about “the vast, invisible world of government secrecy. By focusing on classified secrets, the government’s ability to put information out of sight if it would harm national security, Secrecy explores the tensions between our safety as a nation, and our ability to function as a democracy.”